COME live with me and be my Love, | |
And we will all the pleasures prove | |
That hills and valleys, dales and fields, | |
Or woods or steepy mountain yields. | |
And we will sit upon the rocks, | 5 |
And see the shepherds feed their flocks | |
By shallow rivers, to whose falls | |
Melodious birds sing madrigals. | |
And I will make thee beds of roses | |
And a thousand fragrant posies; | 10 |
A cap of flowers, and a kirtle | |
Embroider'd all with leaves of myrtle. | |
A gown made of the finest wool | |
Which from our pretty lambs we pull; | |
Fair-linèd slippers for the cold, | 15 |
With buckles of the purest gold. | |
A belt of straw and ivy-buds | |
With coral clasps and amber studs: | |
And if these pleasures may thee move, | |
Come live with me and be my Love. | 20 |
The shepherd swains shall dance and sing | |
For thy delight each May morning: | |
If these delights thy mind may move, | |
Then live with me and be my Love. |
COME live with me and be my Love, | |
And we will all the pleasures prove | |
That hills and valleys, dales and fields, | |
Or woods or steepy mountain yields. | |
And we will sit upon the rocks, | 5 |
And see the shepherds feed their flocks | |
By shallow rivers, to whose falls | |
Melodious birds sing madrigals. | |
And I will make thee beds of roses | |
And a thousand fragrant posies; | 10 |
A cap of flowers, and a kirtle | |
Embroider'd all with leaves of myrtle. | |
A gown made of the finest wool | |
Which from our pretty lambs we pull; | |
Fair-linèd slippers for the cold, | 15 |
With buckles of the purest gold. | |
A belt of straw and ivy-buds | |
With coral clasps and amber studs: | |
And if these pleasures may thee move, | |
Come live with me and be my Love. | 20 |
The shepherd swains shall dance and sing | |
For thy delight each May morning: | |
If these delights thy mind may move, | |
Then live with me and be my Love. |
Come live with me and be my love, |
So, if you read this poem, it's sort of a given that you'll read Sir Walter Raleigh's response (yes, that Raleigh, the discoverer who Queen Elizabeth I supposedly had a relationship with, but then, subsequently, had imprisoned in the Tower of London...if you know your Renaissance literature and history). Here's Raleigh's response to the poem, writing as the shepherd's "love":
If all the world and love were young,
And truth in every shepherd's tongue,
These pretty pleasures might me move
To live with thee and be thy love.
And truth in every shepherd's tongue,
These pretty pleasures might me move
To live with thee and be thy love.
Time drives the flocks from field to fold,
When rivers rage and rocks grow cold;
And Philomel becometh dumb;
The rest complain of cares to come.
When rivers rage and rocks grow cold;
And Philomel becometh dumb;
The rest complain of cares to come.
The flowers do fade, and wanton fields
To wayward winter reckoning yields;
A honey tongue, a heart of gall,
Is fancy's spring, but sorrow's fall.
To wayward winter reckoning yields;
A honey tongue, a heart of gall,
Is fancy's spring, but sorrow's fall.
Thy gowns, thy shoes, thy bed of roses,
Thy cap, thy kirtle, and thy posies,
Soon break, soon wither, soon forgotten,
In folly ripe, in reason rotten.
Thy cap, thy kirtle, and thy posies,
Soon break, soon wither, soon forgotten,
In folly ripe, in reason rotten.
Thy belt of straw and ivy buds,
Thy coral clasps and amber studs,
All these in me no means can move
To come to thee and be thy love.
Thy coral clasps and amber studs,
All these in me no means can move
To come to thee and be thy love.
But could youth last and love still breed,
Had joys no date nor age no need,
Then these delights my mind might move
To live with thee and be thy love.
Had joys no date nor age no need,
Then these delights my mind might move
To live with thee and be thy love.
Basically, the point is, all those material objects are great for the short term, but in order for real love, you need something that will last forever, and material objects do not. I think they're two very interesting looks at love, and particularly, women and what men think women want. Personally, I think Sir Walter had the right idea (even if Queen Elizabeth thought he needed some time in the Tower), and what Marlowe had to say was just a wee bit cynical, thinking he could convince a woman to go off with him by offering all these lovely objects.
I probably won't do too much poetry analysis here, but I love these poems so much and I thought I'd share them as well as a few quick thoughts. At the very least, I hope this motivates you to go out and check out some poetry on your own!
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